The Lookout

Memory loss thriller is far from forgettable

By Brett Buckalew | Metromix

March 30, 2007

Even though the main character in "The Lookout" suffers from short-term memory loss, the film steers clear of the unconventional thriller territory already covered by "Memento." It carves out its own identity as an old-fashioned, completely satisfying heist movie that grounds its considerable thrills in complex character psychology.

Writer-director Scott Frank ("Out of Sight" screenwriter, making his directorial debut here) has created a refreshingly unique protagonist in Chris Pratt (Joseph Gordon-Levitt, "Brick"), a former high-school star athlete whose bright future is ruined when he gets in a car accident that impairs not just his memory, but also his ability to complete certain mechanical functions.

Chris' brain damage relegates him to night-janitor duty at a bank. When old school acquaintance Gary (Matthew Goode, "Match Point") and a beautiful stripper bearing the priceless "stage name" Luvlee Lemons (Isla Fisher, "Wedding Crashers") approach Chris to help them rob the bank he works at, he first embraces it as a chance to regain control of his life. But when his conscience kicks in, he must figure out a way to outsmart his cohorts and foil the heist.

Gordon-Levitt effortlessly burrows into the character's frazzled mental and emotional state. He makes Chris a sympathetic stand-in for anyone who has ever felt crippling self-pity over failing to achieve one's dreams.

Fisher plays Luvlee with a sweetness that nicely contrasts against the usual femme fatale archetype, while the most memorable supporting performance comes from Goode, oozing riveting menace and persuasive charm as the heavy.

In addition to his skill with actors, Frank also reveals a talent for taut pacing and mounting suspense that makes "The Lookout" an impressive debut. While the film's modest ambitions prevent it from greatness, it will appeal to anyone looking for smart, character-driven entertainment.