Entertainment ‘Hadestown’ review: A folk music take on an ancient Greek tale Amber Gray and Patrick Page star in "Hadestown," playing at New York Theatre Workshop. Photo Credit: Joan Marcus By Matt Windman amNewYork Theater Critic Updated May 23, 2016 7:01 PM Print Share fbShare Tweet gShare Email Generally speaking, quasi-operatic concept albums (such as “Jesus Christ Superstar,” “Tommy” and “American Idiot”) tend to have underlying structural problems when they are staged later on as pieces of musical theater, such as one-dimensional characters and minimal narrative. Anais Mitchell, a Vermont-based singer-songwriter and a rising star in contemporary folk music, made such an album with “Hadestown,” basing it on the ancient Greek story of Orpheus and Eurydice. A stage adaptation, now being produced off-Broadway at New York Theatre Workshop, proves to be smart and romantic but dramatically underwhelming. According to the myth (which has been adapted into several operas), soon after the beautiful Eurydice marries Orpheus (a lyre-playing son of Apollo), she dies of a snake bite. Orpheus, undaunted, ventures into the underworld to bring back Eurydice. Hades, god of the underworld, will allow Eurydice to leave under the condition that Orpheus cannot look at Eurydice while they escape. recommended reading 'Hamilton' leads Broadway season to record revenue In Mitchell’s hands, the sensitive Orpheus is too focused on playing the guitar to provide for Eurydice’s real world needs, so she independently ventures down to an industrialized underworld. While the lovers sing airy folk-pop, the denizens of the underworld use a livelier New Orleans jazz idiom. Director Rachel Chavkin (who staged the Broadway-bound electro-pop opera “Natasha, Pierre & The Great Comet of 1812”) lends a similarly atmospheric air to “Hadestown,” with the audience sitting around a wooden arena (not unlike a cockfighting pit) and the performers situated either center stage or on the structure’s steps. The deep-voiced and sharp-looking Patrick Page, who plays Hades, has become the go-to guy for any villain role (i.e. “The Lion King,” “Spider-Man,” “The Hunchback of Notre Dame”). The cast (which also includes Nabiyah Be, Damon Daunno and Amber Gray) is excellent and songs are either gently touching or catchy, but “Hadestown” does come off as slow, undercooked and choppy, more reminiscent of a concert than a theatrical work. If you go“Hadestown” plays through July 3 at New York Theatre Workshop. 79 E. 4th St., nytw.org. By Matt Windman amNewYork Theater Critic Matt Windman is the theater critic at amNewYork, which means he sees a show virtually every night of his life. They tend to vary in quality. He is also a lawyer. Share on Facebook Share on Twitter Comments Comments section is temporarily on hold. Here’s why.