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Frosting Flakes are GR-R-REAT!

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Chelsea’s elevated park was a short-lived winter wonderland on Monday afternoon, allowing Tequila Minsky to capture this image from her vantage point on the eight floor of the Whitney Museum of American Art. It was a sweet spot in more ways than one, with the photo taken just as the Whitney was about to close its outdoor plazas because of the snow, and before the rain would wash away Minksy’s scenic vista. See page 8 for more photos from this brief window of opportunity.
Chelsea’s elevated park was a short-lived winter wonderland on the afternoon of Feb. 15, allowing Tequila Minsky to capture this image from her vantage point on the eight floor of the Whitney Museum of American Art. It was a sweet spot in more ways than one, with the photo taken just as the Whitney was about to close its outdoor plazas because of the snow, and before the rain would wash away Minksy’s scenic vista.
The High Line is for lovers — of snow. As seen on a stretch between Gansevoort and W. 14th Sts., these hearty souls strolled the elevated park on the afternoon of Feb. 15 (clear path courtesy of the maintenance crew). Photo by Tequila Minsky.
The High Line is for lovers — of snow. As seen on a stretch between Gansevoort and W. 14th Sts., these hearty souls strolled the elevated park on the afternoon of Feb. 15 (clear path courtesy of the maintenance crew). Photo by Tequila Minsky.
Frank Stella’s “Black Star” (2014, carbon fiber, 224 3/8 x 224 3/8 x 224 3/8 inches) is a study in white, as seen by Tequila Minsky from the eighth floor of the Whitney Museum of American Art.
Frank Stella’s “Black Star” (2014, carbon fiber, 224 3/8 x 224 3/8 x 224 3/8 inches) is a study in white, as seen by Tequila Minsky from the eighth floor of the Whitney Museum of American Art.

 

 

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